With the Earth’s food supplies running out, farmer and former astronaut Cooper (Matthew McConaughey) travels across the universe in search of an alternative home for Earth’s inhabitants.
There are few directors whose films generate as much excitement as Christopher Nolan’s. And for good reason. With a back catalogue to date including Memento, The Prestige, The Dark Knight Trilogy and Inception, Nolan might not be prolific but he certainly knows how to make a film.
Which brings us on to Interstellar, his most ambitious project yet, which given the head fuck that was Inception, is no mean feat.
What starts off on Earth as a relatively low key drama soon expands to the far reaches of our universe and beyond. Space exploration in films is of course nothing new but here it feels special for the most part, and some of that is down to the film being routed in realism. Sure, some of the science may not totally add up, but much of the film (the first two thirds in particular) feels plausible and not beyond the realms of possibility. It’s both exciting and scary to think this may one day become science fact rather than fiction.
Space exploration is only one aspect of the film, however, and as with the majority of Nolan’s films, Interstellar has family at its heart. It owes a debt to Robert Zemeckis’ Contact in this respect, knowing all the while that Cooper’s daughter Murph (but weirdly not his son) is at the forefront of his mind. It adds some emotional weight to the story that hasn’t worked for some but I thought gave the film a more human feel.
Unfortunately, this good work is partly undone by some pretty hefty plot contrivances and whole strands of story that simply don’t work. Matt Damon’s brief storyline, for example, just feels forced and unnecessary, whilst trying to work out how Cooper ended up finding the NASA headquarters and being involved in the mission makes less sense than anything else that happens in the film.
But what Interstellar lacks on plot and script, it more than makes up for in ambition and grandeur. It looks absolutely stunning for a start, particularly some of the shots in the depths of space, whilst its final act is a brave one for a mainstream blockbuster. It does things other films would be afraid to do and should be applauded for that. It takes its cues from 2001: A Space Odyssey and whilst it does fall some way short of Kubrick’s masterpiece, it’s still quite the spectacle.
All the actors give decent performances with Matthew McConnaughey, Anna Hathaway and Jessica Chastain all handling their roles pretty well. None are particularly spectacular but do what they need to do when they need to do it. However, it’s Mackenzie Foy as the young Murph who truly sparkles and adds some real emotional clout to the film. Foy’s character is central to everything happening to the film and fortunately she carries such pressure with ease.
Interstellar is not Christopher Nolan’s best film but is still a film to be appreciated, if just for its technical achievements. Like Gravity, it may not have the strongest script but is a visual marvel and will make you realise why you fell in love with cinema, particularly if you’re a sci-fi can. See it on the biggest screen possible and just drink it in.
- Amazing cinematography
- Pure cinema at times
- Great performance by Mackenzie Foy
- Some horrible plot contrivances
- Some sections *cough* Matt Damon *cough* just don’t work